No poet wants to hawk her poetry. She barely wants you to read her work. It’s the inner workings of her mind, a place that makes little sense, even to her. It’s a place where a thought about tennis is quickly followed by How weird are toes? which is followed with meandering wondering on why can’t she be different, more normal, successful, more mainstream, like the mom who started a business and sold it for millions. Or why she’s the kind of person who will happily spend a day sorting screws or bolts or nuts into clean piles and maybe she is autistic, but then everyone’s somewhere on the spectrum, aren’t they? And she read something about monks and how they’re so revered for their quiet, hermit lifestyle. But for her, it’s a crime to not reply to a few texts for a couple hours and she thinks maybe a monk’s life would be better. Followed by, Wait, can women be monks? and then it’s back to toes and millions or off to gardens and duvet covers, and she doesn’t want to hawk her poetry but she likes that this verb is also a powerful bird of prey, one that can see so far, one who sells nothing, one who watches from the sky, one whose toes have formidable claws.
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I love this meandering yet coherent poem and the way you revere the hawk/poet at the end. This was fun and wonderful in its truth💛💛💛
I'm going to read this again tomorrow. And probably the next day too.